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What is the art of ending not wanting to end all about? Is the end of a theatrical evening solely due to internal necessities, or do social tendencies also play a role? Hannah Zufall talks with Raphaela Bardutzky and Ferdinand Schmalz about what about endings attracts or irritates them as playwrights, and theater critic Margarete Affenzeller analyzes what kinds of endings contemporary theater prefers in her experience. Lisz Hirn, in turn, asks from a philosophical perspective: Is an ending always ideological? Do we prefer to go "into the open"?